The faithful were already champing at the bit of the prospect of 50 or more unique songs showing up along the American tour, so if there might be even more than one acoustic surprise a night, Swifties will really have extra reason to be attuned from afar to nightly setlists as they pop up online, to find out what they’re missing. Will “Tim” be back after it was put on pause, or are there going to be two wild cards each night instead of the previously announced one? On night 2, Swift did not preface the no-repeats slot with an explanation like she did the previous evening, so fans may have to wait till she performs again - next weekend in Las Vegas - to “see how this is gonna go,” to quote a lyric. However, losing “Tim McGraw” meant that the evening went without any representation at all from the 2006 debut LP, in a show that had material from her other nine albums present and accounted for. “State of Grace,” however, was more startling to attentive Swifties - and again, mostly in a good way, as few will ever complain about getting a bonus from “Red,” a fan-favorite album. So it was no shock to get “This Is Me Trying” in place of “Mirrorball” on night 2 - but to the extent that the song pick itself was a surprise, it was a welcome fan, as many fans had hoped “This Is Me Trying” would squeeze its way into the regular nightly set. dates (unless she messed something up, she added, in which case she reserved the right to try to get it right in another city). Anyone who caught the opening night expected “Mirrorball” to be making a one-time-only appearance, as Swift preceded it by explaining that this was a moment in the set where each night she would do a different catalog song, never to be repeated on the more than 50 U.S. On the first night at State Farm Stadium, those solo-acoustic slots near the end of the three-hour-plus had been filled by “Mirrorball,” from “Folklore,” and “Tim McGraw,” from her self-titled debut.
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